Visual Cues for Intuitive Reading

Tarot cards laid out on an astrology cloth with candle, crystals, and lavender bundle

We all know the importance of “intuition” in reading tarot, yet it remains a rather mysterious, illusive concept. It’s difficult to define. Essentially, intuition is a bit like inspiration or insight. A thought suddenly comes to mind and we know it’s exactly the right inerpretation for a card, or the right overall message from a reading.

At least, that’s how it should be. Sometimes, though, we’re so unsure of ourselves that we start second-guessing these insights. Is it really “intuition”, we ask ourselves? Our are we just making things up? Are we merely seeing what we want to see?

Let’s look a bit more closely today at intuition in tarot. Where does it come from?

Intuition in tarot begins when we look at the first card of a spread and note the details. What draws our attention first can serve as an “intuitive spark”. We can then follow that spark through other cards, allowing our intuition to suggest additional ideas and concepts that relate. It sounds simple, and in reality, it is. But all too often we complicate the process with doubts and questions.

One reason we’re sometimes hesitant to accept these intuitive ideas is because we’re expecting something more. “Intuition” should be dramatic or magickal! We should hear voices in our head; we should have images flashing through our brain. That’s what we so often think.

In truth, intuition is simply awareness, and as often as not it’s rooted in our physical vision. We see something and our emotions react. It’s this sudden “coming together” that produces intuitive insights.

Take a look at this familiar tarot card.

A card depicting the Strength tarot card, featuring a woman in a white dress adorned with flowers, gently holding the mane of a large orange lion. The background is yellow with trees and mountains in a simplified landscape.

You know this card well. It’s STRENGTH from the popular Rider-Waite-Smith Tarot. Because you are so familiar with the card, you may not take in the different details. You simply think “STRENGTH” and move on. Intuitive reading asks you to pause for a moment and think about what you see. What single part of this card image stands out?

Your answer will change from one reading to another. Sometimes you might first notice the lion, or even see how his tail and mane resemble flames. Other times, the infinity symbol about the woman’s head may draw your attention. Maybe it’s the bright yellow color of the sky you first notice; maybe it’s the distant mountain. In an illustrated deck like this, every card — no matter which deck you’re using — contains visual cues. Pay close attention to what you see first.

This “first point” is a bit like an anchor. Your mind grasps hold of it, and then your thoughts and feelings can “kick in” to deliver insights that are relevant to the reading you’re doing.

If the lion caught your attention first, your thoughts may center around power and actual strength. Seeing the “flames” may give you a feeling of combustion or energy. Focusing on the infinity loop could bring thoughts of endless cycles; the distant mounains may call you to step away from a current situation while the bright yellow sky might evoke a feeling of joy and confidence.

Long before you learned to read words and sentences, you looked at storybooks, creating your own narrative from the pictures you saw. Tarot draws upon this same creative ability. When we’re children looking at books, no one speaks to us about intuition, but it’s the same process. We’re processing information from visual cues and turning it into actual thoughts and feelings.

Another key point to keep in mind is that what we see isn’t “right” or “wrong”. It’s simply what we see. Even in a difficult card, we may see positive signs and symbols. Guided by these intuitive thoughts, we can understand the lessons of the card and the message that it’s bringing us. This is one reason why trying to “memorize” definitions for cards leads to discouragement. The true meaning of the card doesn’t come from a guidebook; it comes from what each reader sess and feels.

Strengthening intuition is largely a matter of trusting yourself; it’s giving yourself permission to explore ideas as they come to mind. Intuitive tarot reading means moving away from standard “textbook” interpretations and discovering your own card meanings.

So when you do your next “daily draw” or lay out your next spread, focus on the first card and pay close attention to what YOU are seeing. Close the guidebooks. Forget searching websites for “deeper meanings”. Those meanings are already there within you. You access them by acknowledging your first impression of a card, adding in your thoughts and feelings, and trusting that your intuition will guide you.

This is why different readers can look at the same card and each come up with a different interpretation. A tarot card isn’t meant to have a “one size fits all” definition, and this is the beauty of the art. Every card invites us to step into its world, to see what is meaningful for us, and to follow that intuitive spark as we explore other cards.

The Tower Has Fallen

I’ve always had a strange fascination for and a strong connection with the TOWER card of tarot. As a child, I saw the TOWER in a deck and knew at once that I must have those cards. The image sparked so many question in my young mind. I somehow understood that the cards I was looking at had messages and meanings. I knew they were meant for me.

Because of my intense interest, I was gifted with a small set all my own — only the 22 Major Arcana cards. While I found all the images interesting, it was the TOWER that still spoke to me, the TOWER which called out to me to learn its secrets.

I soon did learn — first-hand — what the mystical TOWER represents.

Being young and playful, I loved showing off my “fortune-telling cards” to friends. That meant carrying them around with me and doing impromptu “readings” in the most unlikely places, such as outdoors in the grass on a late summer’s day.

I’d just laid out a row of cards when suddenly clouds gathered overhead. A fierce wind swirled over the ground sweeping up my precious tarot cards as I frantically ran after them. I managed to save them all — except for the TOWER. I still recall seeing it twisting and turning as it sailed through the air. Where it eventually landed, I have no idea.

In that moment, I not only understoood more of what the TOWER card means, but I understood how very real the cards’ messages for us could be. Tarot was fun for a nine-year-old girl, yet it wasn’t a game. It was a tool, a method of learning. And it was powerful.

For several years I had a 21-card “tarot deck” — missing that TOWER card that the winds had taken away. Eventually, I received a new deck, this time a complete “grown-up” deck with 78 cards. It was a Tarot de Marseille deck, and I loved learning what each of the cards represented. I cherished this first “real” deck, and trust me, I took very good care of it. No more TOWERs blowing away.

When it came time for me to create the TOWER image for Darkness Before the Dawn, of course, I brought to the card all my memories of the TOWER. Not just my childhood memories, but memories from readings I’ve done over the years. I’ve seen the TOWER represent actual, devastating earthquakes; I’ve seen images of barren landscapes as people “pick up the pieces” from fallen towers.

To create the card for this “shadow work” deck, I focused not on a scene of destruction happening, but on the aftermath. Here, the TOWER has already fallen. It’s too late to salvage the old ideas it once held. But now, in the space where old, unworn things once lived, a new openness exists. There are new possibilities. The world can begin anew.

Of course, these are my ideas and interpretations, and in creating Darkness Before the Dawn, I’ve tried not to “put my thumb” too heavily on any card. I want each reader to come to the card with his or her own thoughts and feelings, his or her own beliefs, his or her own stories.

When you look at this fallen TOWER, what do you see? Do you see all that’s ruined? Or do you see the new life springing up? Do you see only the shadows and darkness? Or do you see the light?

Remembering Rocky Falls

My husband and I no longer do much traveling. With our vision problems, our driving is limited, and with 5 cats to care for, staying home is easier than finding someone to come in and care for our furry friends while we’re gone. Besides, we would miss our kitties too much if we went away for even a few days.

In the past, though, we did make occasional trips, often visiting Tennessee where my husband has family. One memorable trip was to the Smoky Mountains. This took place in 2022 when we had only one cat, so arranging for her care in our absence wasn’t quite so challenging.

One of the highlights of the trip — I’d long yearned to see the Smoky Moutains — was a visit to Rocky Falls, a gorgeous waterfall that is often photographed, and which has inspired countless artists like me. I took a few pictures for reference and started an oil painting soon after we returned home.

The creative process is messy. One of my favorite sayings is that “Creativity is making a mess and then cleaning it up..” For me, that best describes the way art works. And make no mistake about it, completing the “Rocky Falls” landscape was messy, indeed.

I began with several composition studies, working from my photos to find the right viewpoint for the painting. Next came a series of value studies. These were very, very quick sketches in my sketchbook to consider the different “tonal qualities” for the painting. In other words, these sketches were designed to guide me in the use of lights and darks.

Messy? Yes. Hardly anything more than scribbles, as you can see!

Sketch of three small landscape studies in pencil, showcasing different scenes with trees, rocks, and natural elements.

“Value” is one of the essential elements of art, and many instructors will tell you that it’s the most important. We’re told to “push our values”, to be sure our “lights are light” and our “darks are dark”. And in between these two extremes, we’ll find many shades of “medium value”.

To me, this is much of the meaning of tarot’s Temperance card. It’s a card of extremes, and more to the point, a card that teaches us how to bring these extremes together into a whole, how to reconcile opposites, how to find that “middle ground” in the situations we face in life.

And so it was that as I was creating “Beyond the Garden Gate”, my mind went back to Tennessee, back to Rocky Falls, back to the swirling waters coming together as if being poured out by cosmic hands. I remembered my value studies, my explorations of light and dark, and I recalled the importance of seeing this “complete range” of values. It’s true not only in art classes and studios; it’s a guiding principle in life.

The original “Rocky Falls” painting is oil 11 x 14.

A painting of a waterfall cascading over dark rocks, surrounded by greenery.

To make the image suitable for the deck, I used digital technology to “convert” the painting style to watercolor.

A watercolor illustration of a waterfall cascading over rocks, surrounded by lush green trees, with the text '14 Temperance' at the bottom.

For me, this card reflects the creative process itself. It speaks to the need to recognize extremes and to bring them together. Just as the water flows over these rocks, our creative energies surge forth and pour out into reality. And of course, every time I see this card, I’m transported back to the Smoky Mountains, back to a cool morning, back to my beautiful memories of Rocky Falls.

Adventure Awaits

The Treasure Island Tarot is all about adventure. In creating the deck I hoped to instill a bit of excitement in every card. When I do a reading with the deck, I feel that energy “coming through”, inspiring me see my lfe in a new way — not as a day by day routine to follow but as a new opportunity to learn, to grow, to try new things, and make new discoveries about who I am.

I’ve loved feeling this burst of excitement in my own readings, so I wanted to find a way to share that energy and sense of discovery. To do this, I’ve put together a “Do-It-Yourself” adventure kit in the form of a 70-page workbook. I’ve chosen illustrations from Treasure Island Tarot, but you don’t have to have the deck to enjoy the workbook. You can use any 78-card deck.

A colorful parrot perched on a branch beside a man dressed in explorer attire, surrounded by lush greenery and a tropical vibe. The text 'ADVENTURE AWAITS' and 'VIII Strength' is prominently displayed.

The workbook is titled “Adventure Awaits”. It’s structured as a 30-day journey from “here to there”, complete with ideas and inspirations, tarot exercises and spreads. As you move through the pages, you’ll be guided toward new experiences and gain new insights at each step along the way.

The workbook will be available at the Tarot Treasures Studio shop on Etsy, releasing on Saturday, July 18. It will be a digital download, selling for $16.00. Newsletter subscribers get a special promo code for a 25% discount!

Shown below are a few of the pages from “Adventure Awaits”. I’ve enjoyed putting this new workbook together, and I think you’ll enjoy the excitement and insight it can bring to your life.

The workbook is scheduled to “go live” in the Etsy shop on July 18, so be watching and be ready to set sail on this 30-day adventure.

Don’t Touch That Deck!

When I was growing up, transistor radios were all the rage! We carried them around wherever we went, and a friendly DJ would always remind us “Don’t touch that dial…” meaning, leave it right here on our station, please.

In a similar tone of voice, I’ve ofen heard tarot readers shout out “Don’t touch that deck” at psychic and metaphysical fairs or in little corner shops where querents step inside to find out what the cards have to say to them.

Should anyone else ever touch your tarot deck? That’s a question that’s often asked in online groups and forums, and the answer — as with almost everything else in tarot — depends on YOU and your personal beliefs, the way you practice, and your relationship with the cards.

I’d be inclined to say that the majority of card readers are a bit protective about their decks. Why? It’s largely because of the concept of “energy” or “vibes”. It’s a fact that our bodies are electric and we do emit an electrical “energy” when we touch things, so when we hold a tarot deck, we’re actually “putting our personal vibes” into the cards.We’re “connecting”, so to speak.

For some tarot practitioners, that connection is sacred. They don’t want someone else’s “vibes” messing with their cards. They see it a bit like “interference” — a sort of “static” that could prevent a message from coming through clearly.

Other readers take a slightly more open approach. They will allow others to touch their decks (especially when doing a reading for that individual) but then they’ll quickly perform a cleansing ritual to, hopefully, remove any of those vibrations. You’ll sometimes see a tarot reader pass a deck of cards through incense smoke, or you’ll hear them “rap three times” on the table, presumably to “knock out” any leftover vestiges of another individual.

Some readers — especially during busy times at reading fairs — have a sort of “grin and bear it” attitude. They may not invite others to touch their decks, but they allow it, and they’ll wait until a quiet time to perhaps do a thorough cleansing.

And then, there’s me. I am at the opposite end of the “Touch-Do Not Touch” spectrum. I not only allow people to touch my decks, I encourage it. I invite people to hold the cards, to look through them, to ask questions, to comment, to get as well-acquainted with tarot as possible! When I was reading at fairs and shops, I had several “favorite decks” — the Hanson-Roberts was always with me wherever I went — and I wanted to “expose” my cards to as much energy as possible. I wanted everyone’s vibrations, either through touch, or simply through the air, a bit like radio waves reaching our ears.

Even today, if you come to my studio and are curious about any decks, I’ll gladly hand you whatever you’d like to see. I’ll encourage you to hold the cards, spread them out, rub them on your face if that’s what you want. What I want is YOUR energy and the energy of anyone and everyone else who comes to my studio. I want as many different energies and vibrations in my cards as I can get!

For me, tarot is a respository of energy, and it’s this energy that allows the cards to speak so eloquently on any question that arises. I want my decks to have the sort of “energy experience” required to enable them to address issues that may be far outside of my personal experience. To me, it makes sense. The more different energies my cards hold, the better able they will be to provide the insights my querents need.

Not everyone agrees with me, of course. You may be shaking your head and thinking, “Yuck! I don’t want to ever touch HER decks!” And if so, you probably don’t want me touching your decks either. That’s fine. I respect your choice in this matter.

To touch? Or not to touch? It up to YOU to decide.

Of course, I’m curious — as always — and I’d love to hear your thoughts on this topic. Do you let people touch your cards, or are you a bit like a metaphysical DJ shouting out, “Ah-ah-ah! Don’t touch that deck!”

A Touch of Blue

The 5 of Cups has been stalking me recently, appearing upright at times and reversed at others, so I decided to make it the topic of this week’s blog post! Here you can get a sneak peek at the card — although remember that this deck is still a work in progress, so any images you see are subject to change.

The card is about regrets, about missed opportunities, moments in which life seems to have passed us by. We’ve lost something near and dear; of course the traditional teaching with this card is that despite what we’ve lost, something of value still remains.

This “positive spin” on the card may leave a lot to be desired, however. When we are hurting, having someone tell us to “cheer up” or to “look on the bright side” may do more harm than good. Sometimes we need to sit with our grief, embrace our sadness, maybe just have a good cry if that’s what it takes.

One of the key concepts behind this new deck — The Darkness Before the Dawn — is that each card is designed around traditional aspects, but not necessarily in the traditional way. My intent is to create images that spark emotions, images that are thought-provoking, images that call a reader to look closer and to question whatever they see.

The cards in the deck feature an essentially “monotone” palette: black, white, and shades of gray in between those extremes. But, even in the shadows, even in the darkest of times, we can find a bit of beauty or hope — or color. In The Darkness Before the Dawn each card — with one exception — includes a touch of color. Sometimes it’s just a mere suggestion; other times it’s a bright, bold burst of color; sometimes the color may be soothing; sometimes the color may be grotesque.

For the 5 of Cups in the deck, I chose to stay quite close to the traditional symbolism, and I chose blue as the color to represent both sadness and peace. Beyond that, however, I offer no interpretation for this card or for any others. What this card means is for the reader to decide.

So take a long look at this card, step into the shadows you see, and let it speak to you.

BTW: What card do you think it is that has no added color? HINT: It’s not DEATH.

Deceptively Simple

I laugh every time I see this card — the 2 of Pentacles from Beyond the Garden Gate. I laugh because I remember all too well the frustrations I had when I first tried drawing a pine cone. Pine cones, you see, look quite simple. They’re clearly-defined shapes. They have an itneresting texture. They’re delightful subjects, too. Put one down on the table and it won’t go anywhere. It will just sit, looking at you, inviting you to draw it.

The first time I ever tried to draw a pinecone, the results were laughable. It turned out quite misshapen, quite out of proportion. Or so I thought. Looking back now through my old sketchbooks, I can honestly say “Hey, those first pine cones weren’t as bad as I thought.” Still, the frustration was there.

My next attempts at drawing pine cones didn’t fare much better. Again, in looking back, I can be more objective. At the time though, I despaired of ever being able to draw a pine cone that looked like a pine cone.

Of course, persistence does pay off and while practice doesn’t necessarily lead to perfection, it does bring progress. The pine cones you see adorning this card aren’t perfect, but they are pine cones! I chose to use them for this illustration because to me they represent a lot of “ups and down” — trying, failing, trying again.

The 2 of Pentacles relates to “difficulties in launching projects”, times when we “can’t get things off the ground”, so to speak. What we learn from the card is that life does have challenges, that there will always be those “ups and downs”, and we can make things easier for ourselves by not trying too hard for perfection.

When this card appears in a reading, ask yourself if you’re trying to juggle too many different things, if maybe you’re making things more difficult by seting your expectations too high. Maybe you’re worrying and fretting about things that you’re not even seeing clearly. So, relax. Take a deep breath. Focus on what’s really important and don’t worry about the rest. Do what needs to be done, and if at first you don’t succeed… you know the rest.

And I want to give a huge shout-out here to Linda Zaworski from “Cuppa and Cards” for the delightful photo she took. Linda has also shared “Beyond the Garden Gate” in several YouTube videos, so check out her channel!

Performing an Amputation

Creating “Treasure Island Tarot” wasn’t anything in my plans for 2025, but the idea and the inspiration for the deck came along at a time when I most needed it. One of the first card concepts that came to mind was the infamous one-legged pirate, Long John Silver, as the formidable King of Swords. I set to work creating precisely the dastardly but personable figure for the card.

I couldn’t have completed this deck without the assistance of Steve Champion, and I want to acknowledge his contributions. At first, it was a gentle offer to help. Hearing about my impaired vision and seeing a few little AI “mishaps” on images I shared, he kindly asked if I’d like for him to look things over and make little fixes. Oh, Steve! Thank you so very much.

I wasn’t planning to create a deck, open an Etsy shop and sell Treasure Island Tarot. That all came later. I just wanted to create the deck, to immerse myself in the creative process, and to come away with something meaningful. After a while, though, as people expressed interest in the deck, thoughts of actually publishing the deck came to mind and with it a need to be even more watchful about the images created.

After working to create my King of Swords card, I was quite pleased with Long John Silver, except for one thing. He had two legs. Oops! Now, you might think that it’s simple to use AI to create anything you want. Trust me, it’s not. Getting a one-legged pirate was impossible! It seemed the only way forward was to call in the services of a surgeon who could successfully “amputate” the unwanted leg. Steve Champion to the rescue!

Amazing what work this man was able to do. He not only amputated the leg — the right leg — but then noted that in the actual novel, it’s the left leg that Silver is missing. So back on with the right leg and off with the left. Yes, that was merely a matter of “flipping” the image, and in the end Long John Silver as the King of Swords was everything I dreamed he could be.

He’s fierce, yet he’s friendly. He’s charming in his own way, yet he can be a deadly foe if crossed. And yes, he’s one-legged, thanks to the surgical skills of Steve Champion. So the next time you shuffle this deck and Long John grins out at you, take a moment to think of his little creation story.

The message: Keep trying. You can get it right even when you face challenges.

Should I? Getting Started on Your Tarot Practice

A fan of tarot cards laid out on a wooden surface surrounded by candles and crystals

Let’s start with one of the most important things every new tarot reader needs to know.. It’s simply this. Tarot is a very personal divinatory art, which means that the way you use tarot is for YOU to decide. Yet, time and again, you’ll hear readers insist that you must face east when reading, that you must keep your cards in a silk cloth, that you must clease your cards after every reading or do this, do that, and while it’s true that some readers may do all of these things, you don’t have to do any of them.

It’s really not possible to look back and figure out where a lot of these ideas originated other than to say that someone once thought a certain practice would be meaningful. And it probably was — for them. But that doesn’t make that same practice meaningful for others. What it comes down to is setting up a tarot practice that makes sense for you, working and playing with your cards in ways that feel right, and mostly treating your cards and the practice of divination with respect.

Here are a few of the most-often heard “Must-do” rules. They aren’t rules, remember, so read through them, accept them as the suggestions they are, and try ones that interest you.

Your Reading Room

Maybe you have a private room for your spiritual work or maybe you have no more than a small corner space. Maybe you have a table; maybe you sit cross-legged and spread your cards out over the floor. It’s all fine. Maybe you don’t even have a “sacred space” for divination. It doesn’t matter. You can pick your cards up, carry them with you, and read anywhere at anytime — just be careful if reading outside, especially on a windy day.

It’s often advocated to have a wooden table only for reading. Why? Wood is a natural material and it’s believed to help “ground” your energy and make it easier for you to concentrate. Of course wood is also very durable, and there’s often an aesthetic value in a highly-polished wooden surface. If you have a wooden table (even a small wooden tray that is portable), your mind and spirit will attune to it, so that as soon as you bring out your table or sit down in front of it, you’ll easily slip into the proper intuitive state you need for divination.

Others believe it’s more important to have a special cloth, and there are many beautiful “reading cloths” and “altar cloths” available with mystical designs and patterns. Some readers like the mysterious “vibe” a cloth can add; some readers just love the texture and richness of a deeply-colored velvet or rich tapestry. Add a lace cloth if that appeals to you. Throw a gingham square or a paisley scarf over your reading surface. Or forget the cloth completely. As with all other suggestions, if it adds to the meaningfulness of your practice, do it. If not, don’t. You aren’t breaking any rules.

Another thing you might hear is the injunction that you should face a specific direction. Do so, if you wish. You might hear that you should sound a bell before and after your readings. Fine, if you like bells and want to do it. You’ll hear some readers say you should offer a prayer or ask a deity for a blessings. If it suits you, do it; if not, you don’t need to.

Incense? Yes, definitely if it adds to your practice. Music? It’s entirely up to you. Candles? Crystals? Flowers? Oils? These are all personal choices. Just ask yourself what you need to “set the tone” for a reading. Keep in mind, too, that while rituals and routines can be helpful, that’s a personal choice, as well. You don’t have to follow the exact same set-up or process every time you pick up a deck of cards

Caring for the Cards

Your cards deserve respect; each deck you own will become a close, trusted friend and confidant if you use the cards wisely. Common sense will tell you to approach your readings with clean hands and to keep your cards in a place where they will be protected from damage.

You’ll often hear that you should wrap the cards in silk. Similar to the thoughts about wooden tables, some practitioners believe that the natural silk fibers form a protective barrier, preventing unwanted energies or “psychic residue” from seeping into the cards. You can, of course, wrap your cards in any fabric you wish. You can keep them in wooden boxes, leather pouches, velvet bags — or leave them in their original packaging. It’s your choice. Keep in mind that smaller “tuck boxes” can become worn with use, so you might want to find sturdier options for decks that are frequently used. Convenience is a factor to consider, as well. I’ve seen decks sold and packaged in boxes that actually make it difficult to open the box and remove the cards. Again, for the most part, common sense applies. Keep your cards in a safe, secure, but accessible location and protect them as necessary.

Cleansing the cards is another area where you’ll hear many different opinions and methods. Let’s consider first the reasons behind the practice. Many readers believe that our cards “absorb” energy from being touched — which seems logical. Some tarot practitioners are very insistent about never allowing anyone else to touch their decks. If that feels right to you, it is right. There are readers who allow other people to touch their cards, but who then feel they should “cleanse” the cards afterward to remove those energies or vibrations. Some readers simply do regular cleansing sessions, and on the other end of the spectrum are readers who never cleanse their cards and who, in fact, invite others to “add their energies” to the deck.

What do we mean by cleansing? Most readers cleanse their cards by passing them through sage smoke or incense smoke. Others cleanse by wiping each card with a silk cloth. Another suggestion for cleansing is to leave the cards on a windowsill during a New Moon. This is like “doing a reset” to wipe the cards clean from all energies and start fresh.

Your First Deck

Perhaps one of the most persistent — and most frustrating — myths about tarot is that you must be “gifted” your first deck. I’ve known countless individuals who were eager to learn tarot but who were waiting for that moment when someone handed them a deck and said “Here you go.” As with other myths and superstitions, there are reasons to support the idea, and yet there are just as many, if not more, reasons against it. IF YOU WANT TO LEARN TAROT, BUY YOURSELF A DECK. Consider it a gift from yourself to yourself. Tarot offers a world of incredible insights and knowledge. Please don’t deny yourself the opportunity to learn, to grow, to build the future you desire by waiting around in hopes that somebody might give you a deck.

There are many other little myths you’ll hear, all kinds of “do’s and do not’s” when it comes to tarot, but the only ones that really matter are these: DO get a tarot deck and DON’T listen to everyone else. Your deck and your reading practice should be uniquely your own. Trust your intuition and do what feels right to you.

I’m Not Sure How This Happened

I’m now working on a third tarot deck, and truly, I’m still not sure how all of this happened. It’s exciting, it’s amazing, and it’s rewarding to feel that I’m making a contribution to the tarot community, that my ideas, my visions, and my experiences are being shared with tarot enthusiasts around the world.

Yes, I’m now working on a third deck, and this one is really powerful. It’s different in so many ways. It’s not “just a tarot deck”, but a deck designed specifically for shadow work, for going deep into the darkness within, exploring, learing, growing, and emerging back into the light stronger and more confident. It’s intended to be used intuitively. Even while drawing on familiar and traditional card themes, the deck illustrations invite readers to search their own thoughts and feelings and to follow wherever they might lead.

While everything is still “in development” and therefore subject to change, the working title for the deck is “The Darkness Before the Dawn”. It is currently scheduled for release in mid-September. Deck purchase will include a guide to shadow work — or you can purchase the guide alone for use with your own decks.

Shown here is the current “working concept” for the King of Cups. What thoughts does this image prompt for you? Your comments, suggestions, and ideas will help me refine the deck and make it meaningful and useful for those who choose to journey through the darkness.

You can follow along as I complete this deck by visiting the website here or by signing up for the Tarot Treasures Studio newletter.